(no subject)
Mar. 8th, 2024 07:32 pm"To put it shortly, Galbraith’s argument is that “lolicon” was initially a word male shoujo fans used to refer to themselves. Indeed, as shoujo manga developed, so did its audience, and more and more men started reading them. But such a taste for “girly”, “childish” or “cute” works would have been frowned upon at the time, especially by other manga fans who prefered dark gekiga or science-fiction stories that were developing at the same time. These fans therefore developed a strong sense of community, and “lolicon” was one of the key words they used to refer to each other. However, during most of the 70’s, these fans were still a minority: the Comiket was mostly attended by women, while most male fandoms were oriented towards science-fiction. It is only around 1979 that things began to change and that lolicon became more mainstream, thanks to two artists: mangaka Hideo Azuma and director Hayao Miyazaki."
the whole article's worth a read, but this was an illuminating and fairly neutral read on some much-maligned subcultures and covering a part of why Anime Is Like That. (especially post-a-Lupin III-watch and seeing the ripple effect/conversations that keystone shows and the doujin circles have on each other).